WOODY GUTHRIE ARCHIVES RETURNING TO OKLAHOMA ON CENTENNIAL OF CONTROVERSIAL SINGER’S BIRTH

This year marks the centennial of the birth of Woody Guthrie, who many have argued is perhaps one of the most influential song-writers and performers of the twentieth century. Guthrie is a well-known name synonymous with a style of music that people through the years have called "Country folk", "hillbilly" to name a few, but is distinctly American. And though his career was as strange and turbulent as his life and times, his music always reflected the best in the man and his world. Today, the name Woody Guthrie resonates with musicians and music lovers, as well as the organized working people who Woody‘s music championed.
While Woody remains a beloved figure in most of the world, he continues to be a source of controversy in his home state of Oklahoma because of his Communist sympathies. Few will forget the signs placed in the windows of banks in Okemah, Oklahoma - Woody‘s hometown – reading, "Woody is no son of ours!" – a clear message to those who made the pilgrimage for the annual Woody Guthrie music festival. But many more Oklahomans are proud to call woody one of their own , as recently erected roadside billboards boast, "OKLAHOMA: HOME OF WOODY GUTHRIE!" Woody has been claimed as the inspiration of many of the now great artists like Bruce Springsteen and The Clash‘s Joe Strummer who openly admired Guthrie‘s devotion to real stories about real working people. Bob Dylan was so enamored with Guthrie‘s mystique that he pretended to have been born in Oklahoma. But unlike Dylan, whose pseudo-political musical musings have been widely acknowledged by Pete Seeger and other 1960s folk artists as publicity stunts, Woody‘s music was never contrived and spoke to the authentic heart of the Dust Bowl experience.
This year, in an ironic twist, the Woody Guthrie archives, currently stored in New York City, are being moved to a permanent location in Tulsa, Oklahoma after what Woody‘s daughter describes as "…a fortuitous meeting with the folks at the George Kaiser Foundation…" While many Oklahomans are delighted that Woody‘s archive will become accessible to the many impoverished Okies still too poor to travel to NYC, some are dismayed over the fact that the Kaiser Foundation, representing one of the wealthiest billionaires in the world, has been instrumental in removing the archive from New York. The pro-posed home for the archive is known in Tulsa as ―The Brady District – named after the notorious Tulsa politician and business mogul with well-established ties to the Ku Klux Klan. But even African-American members of the Tulsa Communist Party, USA club see the move as a bit of sort of coup. One CPUSA member based in Tulsa said, "What better way to start moving our local culture away from the dominant reactionary narrative and start reasserting our progressive history. And who better to usher in that change than our own Woody Guthrie."
Many are aware that popular music owes a great debt to Woody‘s influence, but few know much about what inspired Woody. Certainly his music was shaped by his experiences as he travelled with Oklahoma‘s migrant workers attempting to escape the desolation and poverty of the 1930s. But Woody was more than just a singer and songwriter. Woody was a true he was a true "organic intellectual." He not only sang about social problems, injustices, the struggle against Fascism during the Second World War, he also studied these problems deeply and worked as a sort of peoples‘ journalist.
Woody‘s work was regularly featured in the Communist Party‘s newspaper the Daily Worker under a column titled, "Woody Sez." During the Depression, Woody performed for Communist Party events throughout California and, after the onset of the Second World War, was an unapologetic supporter for the anti-fascist United Front. He felt so strongly about the need to unite against Nazi Germany and the ultra-right forces of fascism he wrote and recorded a classic workers‘ anthem titled "All You Fascists Bound to Lose." Woody‘s sympathy for working-class movements, unions and the Communist Party are also apparent in his most famous song, "This Land is Your Land." The song was written in 1944 as a direct response to Irving Berlin's "God Bless America" which Woody criticized as being nationalistic and against the spirit of the anti-fascist United Front. As a testament to Woody‘s sympathies for a Marxist critique of capitalism he included a verse that is often omitted in popular renditions of this classic:

There was a big high wall there that tried to stop me;
Sign was painted, it said private property;
But on the back side it didn't say nothing;
This land was made for you and me.

While many have attempted to revise and reinterpret Woody‘s controversial legacy since his death, Woody himself was never afraid to let his true colors shine. In addition for writing for the Communist Party‘s newspaper, he openly fraternized with Communists and attended Communist Party events. Although there is some debate over whether or not Woody was ever a "card-carrying member" of the Communist Party, there is little doubt about his sympathies and support for the work of the Party. As Guthrie himself once said, "the best thing that I did in 1936 was to sign up with the Communist Party."